![]() For example, an A note on the 2nd fret, third string, will be. On these lines, numbers represent the frets where you should place your fingers. ![]() Robert Johnson's fingerstyle acoustic blues employed unusual diminished voicings and chromatic movements to lead from one place to another.Īnd modern electric players like Eric Johnson and Scott Henderson substitute unusual chords throughout the 12-bar progression, giving a jazzy feel to proceedings. Tab appears underneath conventional music notation as six horizontal lines that represent the strings of the guitar, from the sixth (thick) string at the bottom to the first (thin) string at the top. John Lee Hooker and Elmore James often 'vamped' on one chord or riff, beginning and ending a song in much the same way. Since A is three notes above an E in the major scale, its the IV chord in the key of E. Next, in a 12-bar blues, you play the fourth of the starting chord for two measures before returning to the starting chord. Try to memorize the piece while practicing it so you have something to play on. Play open A (the IV chord) for two measures, return to then E for two measures. I’ll explain it slowly and step by step so it’s easy to understand for guitar players of all levels. It’s got that delta blues, Robert Johnson kind of feel to it. ![]() Of course, there are exceptions to every rule and some of these are featured in our extensive catalogue of examples. Today I’ll show you a nice acoustic fingerstyle blues arrangement. It sounds more deliberate, rather than just bluffing through and coming up with whatever you fancy (that has its place too, but you know what we mean). For reference, here are both those shapes: Get a FREE Guitar Tricks membership that lasts 14 days and try it out. There's something compositionally elegant, too, about 'book-ending' a song in this way. To build all 10 blues guitar licks, Ill use the first two shapes of the minor pentatonic scale. You could say it's like starting with an ending!" Sometimes this is called a 'turnaround' - the bit at the end of a 12-bar progression when everything is gearing up to go round again. "The first thing you often hear on any blues record is a 'taster' of what is to come, courtesy of some fancy or soulful licks.
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